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Source: Los Angeles Times
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Christopher Nolan’s “The Odyssey,” the first film shot entirely on Imax 70mm, has driven a surge in demand for large-format analog film screenings, highlighting the fragile state of the specialized theater infrastructure. The release has led to sold-out screenings, a limited number of theaters capable of projecting in Imax 70mm, and short-term efforts to restore and upgrade historic venues like the Alex Theatre in Glendale. Despite increased interest from audiences and preservation efforts by projectionists, the decline of film projection technology and skilled personnel underscores ongoing challenges in sustaining the 70mm film renaissance.
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