Minbar Al-Qalam Reflects on Its Role
The article explores the role of Bahraini poet Ibrahim Bouhendi and his poetic experiences centered around the concepts of freedom and alienation. It examines his journey through the analysis of three main collections: "I Testify That I Love" (1987), "Ghazal of the Prey" (1994), and "The Sacrificed Lord's Rise" (2006). The focus is on how he employs poetic masks as a means of expressing the tension between the constricted external world and the inner spiritual realm that longs for liberation, while also holding onto identity and humanity. The study, through analyzing his experience, highlights that Bouhendi strives to go beyond conventional expression, utilizing poetic experimentation to represent his existential questions and his concerns with identity, freedom, and belonging. It also clarifies that the progression of his poetic development reflects his interaction with his environment and social reality.
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