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The Guardian
The Guardian
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Ray Exworth spent over six decades creating intricate, large-scale sculptures hidden inside sheds on a Cornish smallholding, which were rarely seen by others. His work, assembled from salvaged materials, was kept private until after his death, when a photographer documented the space and his art in a new book. The sculptures, including life-sized figures and complex assemblages, reflect Exworth’s mastery of craftsmanship and his focus on the act of making rather than public presentation.
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