عربي21
عربي21
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The article reads Adonis’s collection *The Sun’s Migration* as a shift from questions of modernity and breaking with tradition toward a more personal reflection on aging, time, death, memory, and exile, while war and destruction remain present as a human crisis. The collection consists of 28 sections arranged alphabetically and blends fragments, meditations, and free rhythm with a limited return to classical Arabic meter. The article sees its distinctiveness in the poet’s confrontation with the limits of life and his recovery of what is absent. It also notes unevenness among the poems and suggests that the collection’s philosophical breadth can sometimes obscure historical and political details. Finally, it raises questions about the consistency between Adonis’s discourse of modernity and freedom and his political positions.
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