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النهار
النهار
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Akl Awit recalls meeting the painter Paul Guiragossian in the late 1970s, expressing his gratitude for Guiragossian’s friendship and generosity. He notes that Guiragossian painted four portraits of him and designed the cover and interior artwork for his second poetry collection. Awit sees Guiragossian’s art as a blend of civilizational heritage and rebellious modernity, brought to life through vibrant colors, embracing figures, and a tenderness that confronts tragedy and death.
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