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Sharjah Calligraphy Forum spotlights contemporary Arabic art
The article discusses the "Fi Hissab" exhibition at the Design Center 1971 on Alameen Island, which features four artworks emphasizing the aesthetics of Arabic calligraphy through a contemporary creative spirit. It explores how these works address themes such as balance, language, and sensory interaction. Among the pieces, "Sea Without Coast" by Hessa Luwaitah draws on Arabic poetic meters, combining text and rhythm; "Haa" by Ali Muliḥ reuses paper cups to create brass cubes tied to Arabic script and human voice; "The Alphabet of Sitting" by Shbeir Mir transforms the Arabic alphabet into a sculptural structure that encourages tactile interaction; and "Measuring the Existence" integrates Kufic calligraphy with architectural design. These works aim to reimagine Arabic calligraphy as a living art form that expresses identity and culture in a modern way, emphasizing movement and balance, while offering interactive and aesthetic experiences that highlight deep meanings and the role of art in cultural expression.
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