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The article addresses the issue of explanation and didacticism in novel writing, explaining that a successful novel is one that allows the reader to discover its characters through their actions and dialogues, rather than through the author's direct explanation of judgments and ideas. It emphasizes that over-explaining events and meanings diminishes the enjoyment of interpretation and restricts the reader's imagination. The article also notes that some of the most prominent global novelists, such as Albert Camus and Naguib Mahfouz, integrated ideas naturally within the narrative without compromising the artistic strength of their work. In Arabic fiction, works with a contemplative nature are sometimes accused of being didactic or preachy, but the article clarifies that wisdom and reflection are acceptable as long as they are part of the dramatic fabric of the story.
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