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The article's focus is on the identity of Syrian music and how it reflects the components of the Syrian national character. It explains that the earliest musical piece in history appeared in Ugarit, Syria, and highlights that singing is one of the artistic expressions that mirror our cultural identity. The text touches on the importance of the Syrian dialect, reliance on heritage, and themes related to emotion, national pain, and societal issues. It emphasizes how many Syrian singers have expressed their feelings and suffering through their songs, which often address topics such as poverty, hunger, and longing for the homeland, in a manner that reflects national identity and promotes Syrian human causes. These songs also serve to resist regional fragmentation and cultural decline. The article reveals that Syrian identity in music is embodied through human and national content, with music and singing serving as genuine expressions of collective emotion. They remain an integral part of the national identity, representing the experiences of the Syrian people in both past and present.
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