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The article discusses the evolution of Emirati art from the 1980s to the present, focusing on the development of institutional infrastructure and the role of the Sharjah Biennial in supporting artistic production. It traces the early work of artist Mohammed Kazem beginning in 1984, highlighting his influence by limited sources and non-academic knowledge, as well as the collaborative role of Arab artists such as Hassan Sharif and Farouk Khair in broadening artistic understanding. The article also notes the progression of his artistic practice from painting to works that engage with space, sound, and movement—such as his piece "Images with Flags" and the series "The Scratches"—which interact with environment and memory. Furthermore, it elaborates on the history of the Sharjah Biennial since its founding in 1993 and its transformations with the advent of the new millennium, evolving into a more influential institution that supports artists through the production of works and the organization of year-round programs, with direct commissions and supervision. This has significantly enhanced the standing of Emirati art on the global stage.
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