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The article discusses the absence of either a general director or a technical director from organizing the 60th session of the Carthage International Festival for the second consecutive year. This has raised questions about the identity of the artistic vision behind the programming and the responsibility for the festival's success or failure. The text indicates that the lack of clear leadership has transformed the festival from a comprehensive artistic project into an administrative process focused on completing the event on time, with varying artistic choices that sparked debates over the extent to which financial capabilities influence the ability to attract high-profile artists—especially with the inclusion of artists like Mayyada El Hanawi and Magda El Roumi—and the absence of new performances that meet audience expectations. All of this points to a need for the festival to reclaim its identity as an event that offers significant artistic value.
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