في الفن
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The article traces the shift of women to the center of Arab crime dramas, exploring four works that present different motives. In *A Crime in Zamalek*, Saba Mubarak portrays a woman driven to crime by psychological and financial pressures; in *Above Suspicion*, Yousra plays Rahma, who manipulates her adversaries. *The Seven Commandments* depicts a group crime committed by sisters under the weight of poverty and oppression, while *Women of Al Maadi House* follows women from different social classes and eras who are driven to violence by oppressive marriages and social constraints. The article concludes that female criminality in these works stems from varied motives and can emerge in different social settings.
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